15th September. Thanks to the astute manoeuvres of the Pill, we are in Toronto, Canada (T’rono pour les intimes). What to say about this place? At first sight, a run of the mill North American city: monotonous, verging on the hostile. Such cities fare better when observed from afar, most of their energies focus on a skyline; once you get closer they pixelate like a low resolution digital photo and what seemed a dense, multi-layered world turns into flattened spaces: parking lots, motorway-sized roads, strip-malls. If you try to reach the core it will exhaust you in unrewarding marches through displays of neurotic corporate fun and staged ‘cultural diversity’, all contained by a ruthless grid that shrinks your perspective to a tunnel. We keep searching like a vanquished sailor in a labyrinth of fog.
What sets T’rono apart though is the ambition to prove itself a “world class city”, leading to some hilariously pompous experiments. Horrible condos erupt all over the place like stubborn acne; the local architectural fashionistas seem to favour a cross between ''cheaply updated 1980s'' and ''props in sci-fi B-film" and crown their creations with names like "Couture", "Ice", "Prestige" or "Shangri-La", making the city looks like a mouth with several teeth knocked out and some fake-gold implants

Except for the back alleys, its most honest and attractive side and some intact shabby neighbourhoods still displaying what a French artist visiting the city called "Psycho houses".
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